Layers of Feeling

Project type

Master’s Thesis Artistic Project,
Illustrated Poetry Book

semester

SS 2025

Supervisors

Dipl. Des (FH) Magnus Feil MFA,
Prof.ssa Marina Bindella
(Accademia di Belle Arti Roma)

Category

Book Design, Swiss Binding, Writing, Multi-Style Illustration, Layout Design

A Book That Invites
You to See, Touch, and Feel

Layers of Feeling is an illustrated artist’s book that moves from realism to abstraction, with five chapters (Joy, Sadness, Anger, Fear, Love) each using layered design to pare detail down to essential emotional forms. Combining realism, abstract gesture, trilingual text, evolving colour, and cutouts, it creates a tactile, multisensory experience that positions the printed book as an intimate counterpoint to flat digital media.

Chromatic Language

Each emotion has a dedicated colour spectrum that is repeated across every stage of abstraction to ensure emotional and visual cohesion. Hand-blended gradients offset flat tones, contrasting modern uniformity with artisanal colour, and echoing Falcinelli’s Cromorama and 2025 Rome shows such as Valentino’s Red and Fontana retrospectives.

Gallery Final Book Design

Stages of Abstraction

01 Realistic Fineliner

Inspiration: Andreani, Campagnola, Dürer, woodcut detail translated to fineliner.

Semiotics: Iconic, close resemblance, recognisable likeness.

02 Facial Cutouts

Inspiration: Katsumi Komagata, paper-layering and cutouts from Blue to Blue.

Semiotics: Indexical, negative space as part-iconic hint of expression.

03 Minimal Outline

Inspiration: Barnabei, Thuile, Kandinsky’s spiritual line, refined in Procreate.

Semiotics: Icon → symbol, reduced contours that remain referential.

04 Symbolic Cutouts

Inspiration: Munari, recurring geometric cutouts in books like Viaggio nella fantasia.

Semiotics: Symbolic, culturally coded shapes standing for emotion.

05 Abstract Ink Brush

Inspiration: Pollock’s spontaneous brushwork, gestural ink mark-making.

Semiotics: Abstract sign, non-iconic, meaning through Context